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Robert Lincoln Drew (February 15, 1924 – July 30, 2014) was an American documentary filmmaker known as one of the pioneers—and sometimes called father〔(【引用サイトリンク】url=http://variety.com/2014/film/news/robert-drew-documentarian-who-fathered-cinema-verite-dies-at-90-1201272280/ )〕—of cinéma vérité, or direct cinema, in the United States. Six of his films are archived at the Academy of Motion Pictures Arts and Sciences,〔(【引用サイトリンク】url=http://www.oscars.org/filmarchive/projects/index.html )〕 and two are in the National Film Registry of the Library of Congress. His many awards include an International Documentary Association Career Achievement Award.〔(【引用サイトリンク】website=The Paley Center )〕 ==Biography== Drew was born in Toledo, Ohio. His father, Robert Woodsen Drew, was a film salesman and a pilot who ran a seaplane business. Drew grew up mostly in Fort Thomas, Kentucky. He left high school to join the U.S. Army Air Corps as a cadet 〔 in 1942 and qualified for officer's training. At the age of 19, he was a combat pilot in Italy flying the P-51 dive bomber, completing 30 successful combat missions.〔 During that time he met Ernie Pyle, an important experience for a pilot who would become a journalist. Then he was shot down behind the lines, where he survived for more than three months. Back in the U.S., he was a pilot in the First Fighter Group, the first to fly jet airplanes. He wrote an article about the experience of flying a P-80 for Life Magazine and was offered a job by Time Inc.〔 While working at Life Magazine (Time Inc.) as a writer and editor, Drew held a Nieman Fellowship at Harvard University in 1955, where he focused on two questions: Why are documentaries so dull? What would it take for them to become gripping and exciting? He developed a unit within Time Inc to realize his vision〔(【引用サイトリンク】url=https://www.youtube.com/watch?v=8TsAnUmIzYY )〕 of developing documentary films that would use picture logic rather than word logic. Drew envisioned—as he explained in a 1962 interview 〔(【引用サイトリンク】url=https://vimeo.com/84270680 )〕—a form of documentary that would “drop word logic and find a dramatic logic in which things really happened.” It would be “a theater without actors; it would be plays without playwrights; it would be reporting without summary and opinion; it would be the ability to look in on people’s lives at crucial times from which you could deduce certain things and see a kind of truth that can only be gotten from personal experience.” He formed Drew Associates around this time. Some of his early experiments premiered on The Ed Sullivan Show and The Jack Paar Show.〔 Drew recruited like-minded filmmakers including Richard Leacock, D.A. Pennebaker, Terence Macartney-Filgate, and Albert Maysles,〔 who all have had internationally renowned careers. They experimented with technology, syncing camera and sound with the parts of a watch. One of Drew Associates' best known films is ''Primary'' (1960), a documentary about the Wisconsin Primary election between Hubert Humphrey and John F. Kennedy. It is considered to be one of the first direct cinema documentaries. According to critic Matt Zoller Seitz, Primary "had as immense and measurable an impact on nonfiction filmmaking as Birth of a Nation had on fiction filmmaking. " On June 11, 1963, the Alabama Governor George Wallace〔("Wallace in the Schoolhouse Door" ), National Public Radio〕 blocked the entrance of the University of Alabama to oppose integration. His defiance of court order rapidly became a national issue in the U.S. Drew Associates had a cameraman in the Oval office and recorded the meetings over the crisis. The result played on TV in October 1963. ''Crisis: Behind a Presidential Commitment'' not only fueled discussions over the Civil Rights Movement, it also triggered a profound questioning over the political power of cinema verite or direct cinema. Politicians became more cautious about allowing access by documentary filmmakers, working closely with many of the original Drew Associates filmmakers who had and have continued to have documentary careers of their own. For ''Crisis: Behind a Presidential Commitment'' (1963), Drew convinced President John F. Kennedy to let his crews shoot candidly in the White House, and Drew Associates filmmakers (including Gregory Shuker and Richard Leacock) took cameras into the Oval Office and into the home of Alabama Governor George Wallace who was resisting desegregation. "I proposed to make a next film on him as a President having to deal with a crisis," Drew has recalled. "'Yes,' he said, 'What if I could look back and see what went on in the White House in the 24 hours before Roosevelt declared war on Japan?'"〔 The film includes candid presidential meetings over the crisis precipitated by Wallace when he planned to physically block the entry of two African-American students to the University of Alabama. The program aired in October 1963 on ABC and triggered a storm of criticism over the admission of cameras into the White House. Drew's films have been shown on ABC, PBS, the BBC,〔 and film festivals all over the world. Film director Sir Ridley Scott credits his early experience working at Drew Associates as an assistant with turning his career from design to film. Drew has made scores of documentaries and has won awards internationally. His subjects have included civil rights, other social issues, politics, music, dance and more. One of his most recent was ''From Two Men and a War'', which recounts his experience as a World War II fighter pilot and his encounters with the Pulitzer Prize-winning reporter Ernie Pyle. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Robert Drew」の詳細全文を読む スポンサード リンク
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